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Title: BUtterfield 8
Genre: Drama |
Year: 1960 |
Country: USA |
Rating:  |
Starring: Elizabeth Taylor, Laurence Harvey, Eddie Fisher, Dina Merrill, Mildred Dunnock
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Director: Daniel Mann
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My Review: Elizabeth Taylor (playing Gloria Wandrous) and Laurence Harvey (playing Weston Liggett) star as mismatched lovers in this steamy drama. Elizabeth Taylor plays a New York city fashion model. Carefree, enjoying life as if it were a one-night stand, but secretly wishing she could settle down. Laurence Harvey plays a high society socialite with too much time on his hands and a vacant marriage. Together they heat up the screen in this romantic drama. The casting was obviously designed to draw the crowds, but the chemistry between Taylor and Harvey wasn't there. She had way more chemistry with Eddie Fisher (playing Steve Carpenter the longtime guy pal). Taylor won an oscar for her performance in this movie, and her's was the best acting in the movie. Loosely based on a best seller (1935 novel by John O'Hara), the characters were excellent, and the acting was fair. The movie was stylish, filled with good looking actors and fantastic fantastic 60s locations. Unfortunately, the production, editing and camera work was pretty bad. A complex relationship romance with fully formed characters. Excellent writing, good acting, poor production. I give it a 3 out of 5. FYI: The title 'BUtterfield 8' (with capitalized 'BU') is derived from outdated telephone exchange names in the US and Canada. Used until the mid 60s, telephone exchanges were often referred to by name instead of number. 'BUtterfield 8' was an exchange that provided service to ritzy precincts of Manhattan's upper east side. Dialing 'BU' is the equivalent (on a telephone) of dialing 28; 28 + 8 = 288, the first three digits of a seven digit telephone number. Of course back then, people might actually call the exchange and speak to a 'telephone operator' in order to connect/place calls. In some cases, as noted in this movie, an operator might let you know that someone had called or was trying to get ahold of you.
Elizabeth Taylor (playing Gloria Wandrous) and Laurence Harvey (playing Weston Liggett) star as mismatched lovers in this steamy drama. Elizabeth Taylor plays a New York city fashion model. Carefree, enjoying life as if it were a one-night stand, but secretly wishing she could settle down. Laurence Harvey plays a high society socialite with too much time on his hands and a vacant marriage. Together they heat up the screen in this romantic drama. The casting was obviously designed to draw the crowds, but the chemistry between Taylor and Harvey wasn't there. She had way more chemistry with Eddie Fisher (playing Steve Carpenter the longtime guy pal). Taylor won an oscar for her performance in this movie, and her's was the best acting in the movie. Loosely based on a best seller (1935 novel by John O'Hara), the characters were excellent, and the acting was fair. The movie was stylish, filled with good looking actors and fantastic fantastic 60s locations. Unfortunately, the production, editing and camera work was pretty bad. A complex relationship romance with fully formed characters. Excellent writing, good acting, poor production. I give it a 3 out of 5. FYI: The title 'BUtterfield 8' (with capitalized 'BU') is derived from outdated telephone exchange names in the US and Canada. Used until the mid 60s, telephone exchanges were often referred to by name instead of number. 'BUtterfield 8' was an exchange that provided service to ritzy precincts of Manhattan's upper east side. Dialing 'BU' is the equivalent (on a telephone) of dialing 28; 28 + 8 = 288, the first three digits of a seven digit telephone number. Of course back then, people might actually call the exchange and speak to a 'telephone operator' in order to connect/place calls. In some cases, as noted in this movie, an operator might let you know that someone had called or was trying to get ahold of you.
Summary: Beautiful Gloria Wandrous, a New York fashion model engages in an illicit affair with married socialite Weston Liggett. However, Gloria's desire for respectability causes her to reconsider her lifestyle.
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