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Title: Blame It on Fidel / aka La faute à Fidel!
Genre: Art House & International |
Year: 2006 |
Country: France |
Rating:  |
Starring: Nina Kervel-Bey, Julie Depardieu, Stefano Accorsi, Benjamin Feuillet, Martine Chevallier
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Director: Julie Gavras
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My Review: A very personal movie, from a nine year olds point of view. Nina Kervel-Bay stars as Anna, a young, privileged Parisian girl. Here well ordered, comfortable and sheltered life is disrupted by the turmoil surrounding her activist parents. Set in France during the 70s, the backdrop to Anna's story is a politically tumultuous era of revolution, revolutionaries, communists, women's lib, and a never ending parade of 'Babudos' (the bearded men). Through it all, Anna maintains a strong, fiercely independent sense of outrage. Why should the world interrupt her nightly bath? Thankfully, the movie retains Anna's focus throughout. It doesn't try to explain, examine or extoll the political motives of all the adults in Anna's life. Wonderful acting, character based direction and pacing. I was very pleased 4 out of 5.
Summary: Warm-hearted and even-handed, this sly political satire centers on Anna (Nina Kervel-Bey), a nine-year-old French girl accustomed to comfort and routine. In 1970, when her attorney father, Fernando (Stefano Accorsi), takes in his Spanish refugee sister, Anna’s tightly-conscripted world starts to unravel. The process accelerates when he and her journalist mother, Marie (Julie Depardieu, daughter of Gérard), take a fact-finding trip to Chile. Upon their return, Fernando has a beard--just like Fidel Castro--and both have embraced activism. This necessitates a move from bourgeois house to proletariat apartment as they dedicate their lives to the disenfranchised. It also means less time for Anna and her urchin-cute brother, François (Benjamin Feuillet). She decides "Fidel is to blame." Still, things could be worse. They may be opposed to it, but her parents allow her to continue attending private school, though her father jokes she's a "little mummy," i.e. Chilean slang for reactionary. (He also believes Mickey Mouse is a fascist.) In adapting Domitilla Calamai’s novel, documentary filmmaker Julie Gavras, daughter of left-wing director Costa-Gavras, presents her first feature from a child's perspective, but that doesn't mean she takes Anna's side. Just as Anna can't see the good in altruism--or tell the difference between conformity and solidarity--her family's plunge into radical politics is understandably upsetting (especially when they take her to a demonstration that turns violent). And yet, by not following them blindly, Gavras suggests that Anna is a rebel, too. "--Kathleen C. Fennessy"
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