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Title: The Tempest
Genre: Comedy, Drama, Fantasy, Romance |
Year: 2010 |
Country: USA |
Rating:  |
Starring: Felicity Jones, Jude Akuwudike, Reeve Carney, David Strathairn, Tom Conti
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Director: Julie Taymor
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My Review: I've never actually read Shakespeare's play, 'The Tempest', but I must admit that I'm a fan of his work. It's quite good… Indeed, there are twenty titles for 'The Tempest' listed in IMDB. Despite that, this may be the first time I've actually seen it on any screen or stage. If only I had enough time… This version of the play is brought to the screen by Julie Taymor (Writer/Director who also wrote and directed 'Titus' for the screen - I own and love that one). Here Ms. Taymor has mixed things up a bit. Transforming the main character from male (Prospero) to female (Prospera). The casting and acting were truly outstanding: Felicity Jones, Reeve Carney, David Strathairn, Tom Conti, Alan Cumming, Helen Mirren, Ben Whishaw, Djimon Hounsou, Russel Brand, Alfred Molina, and others. Despite the fact that Shakespeare's plays were written long ago, for a stage and a vastly different audience, I found this screen adaptation truly delightful. The visual effects were extremely well done. Perfectly matched to the pacing, costumes, settings and character of the movie. The story: 16th or 17th century, off the coast of Italy; Prospera and her daughter Miranda have been stranded on a deserted island for many years. When a ship approaches in a storm, Prospera's plans for revenge are put in motion. The ship carries the men who exiled the queen and her young daughter to an uncertain fate. With the assistance of some alchemy, magic, and a few enchanted servants, Prospera unfurls the sails of sweet vengeance. I give it a 4 out of 5.
Summary: In Julie Taymor's version of 'The Tempest,' the main character is now a woman named Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor's version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it's a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect.
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