The setting of "Kontroll" is the Budapest subway system, one of the largest and oldest in the world, and a place that becomes an omniscient character in an ambitious film that jumbles dark comedy, slick action, and horror-movie conventions. The other main character is Bulcsú (Sándor Csányi), part of a team of disheveled ticket inspectors--controllers--who roam the grimy, fluorescent-lit city-under-the-city in a soul-destroying ritual. The job has become such a part of Bulcsú that he never leaves the underground. He has taken to sleeping on empty platforms and getting progressively more unkempt as he accumulates more bruises, bloody noses, and bitterness from his scraps with a variety of unseemly creatures of the night (and day). Among the post-punk, post-communist habitués of this subterranean metropolis are a cute girl in a teddy-bear suit, a rival gang of ticket inspectors who like to play a deadly game of chicken with express trains, and a hooded specter who may or may not be pushing people under subway wheels at crowded stops. First-time director Nimród Antal keenly juggles black comedy, character types, and genre styles, making the most of the weird angles and inherent dark creepiness of his chosen backdrop. "Kontroll" keeps pace as a hip, flashy, fast-moving set piece by any international measure. "--Ted Fry"