List
Exorcist: The Beginning

Director: Renny Harlin
Writer: William Peter Blatty, William Wisher Jr.
Producer: Omneya 'Nini' Mazen, Guy McElwaine, Wayne Morris, David Robinson, James G. Robinson
Theatrical: 2004
Rated: R
Studio: Morgan Creek Entertainment Group
Genre: Thriller
Duration: 114
Media: Digital
Collection ID: 1280
DVD Details
Languages: English
Sound: DTS
Aspect Ratio: 2.00 : 1
Discs: 1
Region: 1
Credits
Father Merrin
Stellan Skarsgård
Sarah
Izabella Scorupco
Father Francis
James D'Arcy
Joseph
Remy Sweeney
Major Granville
Julian Wadham
Chuma
Andrew French
Sergeant Major
Ralph Brown
Semelier
Ben Cross
Father Gionetti
David Bradley
Jeffries
Alan Ford
Lieutenant Kessel
Antonie Kamerling
Emekwi
Eddie Osei
Jomo
Israel Aduramo
Bession
Patrick O'Kane
James
James Bellamy
Jomo (as Israel Aduramo)
Israel Oyelumade
Little Dutch Girl
Cecilia Amati
Medieval Priest
Matti Ristinen
Sebituana's Wife (as Lidia Darly)
Lydia Darly
Boy in Market
James Paparella
Stricken Turkana Worker
Silvio Jimenez Hernandez
Turkana Shaman
Yemi Goodman Ajibade
Tribesman in Hospital
Michel Leroy
Turkana Warrior #1
John Sesay
Turkana Warrior #2
Sayoh Lahai
Preacher with Pazuzu
Alessandro Casula
Corporal Finn (as Roberto Purvis)
Roberto Davide
Summary
"This movie is cursed!" exclaimed movie-magazine headlines regarding Exorcist: The Beginning, but those dire warnings turned out to be exaggerated. Considering a tumultuous production history that actually did seem cursed, Renny Harlin's much-maligned prequel to The Exorcist is a surprisingly competent, serious-minded shocker filled with the same anxious foreboding that made the 1973 original so phenomenally effective. The story lacks focus and feels cobbled together (perhaps the result of its tortured development, which included the untimely death of original director John Frankenheimer), but Stellan Skarsgård is well-cast as Father (now Mr.) Merrin, a lapsed Catholic priest summoned to East Africa in 1949 to retrieve a demonic idol. He discovers a buried church, a vast underground cavern, demonic possession, and a legacy of carnage that preys upon guilt-ridden memories from his parish in Nazi-occupied Holland. Harlin delivers the gross-out moments that Warner Brothers demanded, but otherwise shows remarkable restraint while cinematographer Vittorio Storaro delivers doom-laden visual atmosphere. It's not the classic many were hoping for--not even close--but it's still a win-win scenario for horror fans, since it's rumored the unreleased and "abandoned" version directed by Paul Schrader will be paired with this film for its DVD release. Comparisons will no doubt prove interesting. --Jeff Shannon